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I’ve Created a Monster: Taylor Swift’s Philosophy of Power in Castles Crumbling
"The crowd liked Taylor Swift when she was striving, but they do not like who she has become now that she is successful. Indeed, sitting “behind walls of regret,” Swift does not seem to like this version of herself either."


Teardrops All Grown Up: Hidden Desire in Taylor Swift’s I Can See You
I Can See You reads as a grown up version of Teardrops On My Guitar. The school has been replaced by the workplace and Swift’s secret thoughts about her colleague inspire sexy thoughts rather than despair.


Cleopatra and Little Miss Sunshine: Taylor Swift’s Intertextual Discourse on Feminine Power in When Emma Falls in Love
Swift thus highlights the power that a single magnetic woman has to change the world around her – whether her name is Emma, Little Miss Sunshine, or Cleopatra. Simultaneously, however, Swift’s intertextual references remind us that with great power comes great responsibility.


The Shocking Truth: Metaphor Sparking Hope in Electric Touch
Electricity is a naturally-occurring form of power that can either kill you or be harnessed in order to enable technology that is essential to modern civilization. A romantic spark, Swift posits, can similarly lead to significant harm or true love.


Only a Man in a Funny Red Sheet: Anticlimax in Taylor Swift’s Superman
Superman is the final bonus track fromSpeak Now. We find Taylor Swift once again critiquing her own tendency to impose tropes from fiction onto her own life.


When Taylor Met the Finale: Swift’s Unfulfilled Desire for a Rom-Com Ending
The Basics: Six months after her relationship has ended, Taylor Swift sings “come back, come back, come back to meee heeee” to her ex....


Objection Sustained: Dismissing the Evidence against Taylor Swift’s Relationship in Ours
The courtroom metaphor, however, illustrates that Swift’s relationship does not belong to a jury of Swift’s peers, but to Swift herself: “The jury’s out, but my choice is you.” Taylor Swift’s relationship is not within the court’s jurisdiction.


Diogenes the Dragon: Battling Cynicism in Long Live
We know from Swift’s later work that she was a noted scholar of Greek philosophy during this era of her life “You know how to ball / I know Aristotle” (So High School). It is thus worth digging into Swift name dropping a group of people who were deeply upset by her success – the world-denying philosophers known as the Cynics.


Oh, Where Oh Where Can My Baby Be: Transforming Presence to Absence in Last Kiss
Swift’s relationship was a physical experience. Since breaking up, the full-bodied physical experience of another person has been replaced by a flattened, empty version. For example, Swift sings: “I’ll watch your life in pictures like I used to watch you sleep.” When they were together, Swift saw a three-dimensional, moving, human being. After the break-up, she will now see him only through static, pixelated representations on an instagram feed.


The Ghost of Relationship Past: Holding on to a Relationship after it Ends in Haunted
In literature and popular culture, ghosts generally linger because they have unfinished business from their lives.
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