The courtroom metaphor, however, illustrates that Swift’s relationship does not belong to a jury of Swift’s peers, but to Swift herself: “The jury’s out, but my choice is you.” Taylor Swift’s relationship is not within the court’s jurisdiction.

We know from Swift’s later work that she was a noted scholar of Greek philosophy during this era of her life “You know how to ball / I know Aristotle” (So High School). It is thus worth digging into Swift name dropping a group of people who were deeply upset by her success – the world-denying philosophers known as the Cynics.

Swift’s relationship was a physical experience. Since breaking up, the full-bodied physical experience of another person has been replaced by a flattened, empty version. For example, Swift sings: “I’ll watch your life in pictures like I used to watch you sleep.” When they were together, Swift saw a three-dimensional, moving, human being. After the break-up, she will now see him only through static, pixelated representations on an instagram feed.

As in Never Grow Up, time in Innocent is a double-edged sword. Although growing up is terrible, it also provides healing and growth.

Like quintessential revenge heroes Hamlet or Cady Heron, Swift leaves a wake of destruction behind her when she attempts to become mean.

John relied upon darkness to cover up his misdeeds. Swift becomes a radiant source of light, illuminating not just herself, but a whole town

Taylor Swift uses Speak Now to specifically consider the consequences of not speaking – situations where silence is an action.