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Diogenes the Dragon: Battling Cynicism in Long Live
We know from Swift’s later work that she was a noted scholar of Greek philosophy during this era of her life “You know how to ball / I know Aristotle” (So High School). It is thus worth digging into Swift name dropping a group of people who were deeply upset by her success – the world-denying philosophers known as the Cynics.


Saint Stephen I just wrote you a paean: Signifier and signified in Hey Stephen
Swift, a philosopher of language, explores the relationship between a name and what it signifies by fully exploring the meaning of 'Stephen'


Swift's Theology of Noise Music in Our Song
In Our Song, noted music theorist Taylor Swift grapples with the question “What is Music?”
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Cleopatra and Little Miss Sunshine: Taylor Swift’s Intertextual Discourse on Feminine Power in When Emma Falls in Love
Swift thus highlights the power that a single magnetic woman has to change the world around her – whether her name is Emma, Little Miss Sunshine, or Cleopatra. Simultaneously, however, Swift’s intertextual references remind us that with great power comes great responsibility.


The Shocking Truth: Metaphor Sparking Hope in Electric Touch
Electricity is a naturally-occurring form of power that can either kill you or be harnessed in order to enable technology that is essential to modern civilization. A romantic spark, Swift posits, can similarly lead to significant harm or true love.


Only a Man in a Funny Red Sheet: Anticlimax in Taylor Swift’s Superman
Superman is the final bonus track fromSpeak Now. We find Taylor Swift once again critiquing her own tendency to impose tropes from fiction onto her own life.


When Taylor Met the Finale: Swift’s Unfulfilled Desire for a Rom-Com Ending
The Basics: Six months after her relationship has ended, Taylor Swift sings “come back, come back, come back to meee heeee” to her ex....


Objection Sustained: Dismissing the Evidence against Taylor Swift’s Relationship in Ours
The courtroom metaphor, however, illustrates that Swift’s relationship does not belong to a jury of Swift’s peers, but to Swift herself: “The jury’s out, but my choice is you.” Taylor Swift’s relationship is not within the court’s jurisdiction.


Diogenes the Dragon: Battling Cynicism in Long Live
We know from Swift’s later work that she was a noted scholar of Greek philosophy during this era of her life “You know how to ball / I know Aristotle” (So High School). It is thus worth digging into Swift name dropping a group of people who were deeply upset by her success – the world-denying philosophers known as the Cynics.


Oh, Where Oh Where Can My Baby Be: Transforming Presence to Absence in Last Kiss
Swift’s relationship was a physical experience. Since breaking up, the full-bodied physical experience of another person has been replaced by a flattened, empty version. For example, Swift sings: “I’ll watch your life in pictures like I used to watch you sleep.” When they were together, Swift saw a three-dimensional, moving, human being. After the break-up, she will now see him only through static, pixelated representations on an instagram feed.


“I’mma Let You Finish”: Time and Rehabilitation in Innocent
As in Never Grow Up, time in Innocent is a double-edged sword. Although growing up is terrible, it also provides healing and growth.


Ruining Regina George’s Life Didn’t Make Me Any Happier: Taylor Swift’s Cautionary Tale of Becoming Mean
Like quintessential revenge heroes Hamlet or Cady Heron, Swift leaves a wake of destruction behind her when she attempts to become mean.


Baby I’m a Firework: Illuminating Abusive Tactics in Dear John
John relied upon darkness to cover up his misdeeds. Swift becomes a radiant source of light, illuminating not just herself, but a whole town


Don’t Say Yes: Silence as a Speech Act in Speak Now
Taylor Swift uses Speak Now to specifically consider the consequences of not speaking – situations where silence is an action.
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